a weekend of cheese
A year ago, I attended my first cheese making 201 workshop with Jim Wallace and told the story in this post. It was a great experience, so last month, I traveled again to attend my second workshop with him: it was an excellent choice. During the two-day workshop, we made three Italian cheeses: caciocavallo, Taleggio and Bel Paese. We also tasted cheeses made by Jim (photo above) and by other students. From the top left corner and going around clockwise: robiola, toscano pepato, Bel Paese, caciocavallo, tomme au marc, cabra al vino, Taleggio. My favorite is the tomme au marc, a tomme aged buried in the grape skins and seeds left over from making wine. The cheese acquires subtle wine notes that are surprising and delightful.
Caciocavallo is a pasta filata cheese from Southern Italy: I tasted and fell in love with it the first time when I visited Calabria as a teenager. If you don't know what pasta filata means, the photos will clarify the concept.
When the drained curd mass reached the desired pH, Jim cut it in half and then cut each piece into strips and placed them in a bowl. The photo above shows the first half prepared for the next phase.
Jim then added hot water in stages to the bowl to warm up the strips. Above, he tests a strip by stretching it.
When the desired stretch is reached, the strips are worked together into a mass, then stretched, folded, and shaped. Finally, the cheese is immersed into cold water to firm up.
The first caciocavallo on the left is missing its bottom part: we ate it during the cheese tasting. The one next to it was made the day before the workshop. When I took the photo, the two caciocavallo we made in class were resting in the brine.
Then we made Taleggio, a washed-rind cheese I first tasted when I moved to Milan. At the point shown in the photo above, the curd mass was still draining, and during that time, it was flipped into the mold. After the first turn, the surface showed the pretty mold pattern.
The second day, we made Bel Paese (about which I wrote some notes it in this post).
This beautiful cheese cloth is made of linen: it falls down into elegant folds. All the cheeses we made during class require aging, so we did not taste them. However, at the time of writing, I have a report saying that they are all doing well.
Besides talking about and making cheese with Jim and the other students, I did a few other things during the weekend, starting with meeting Jeri, who writes the New England Cheesemaking Supply Company blog. We corresponded a bit during the last year, so meeting her in person was very nice. We spent a late afternoon chatting, and together we visited a dream place for a home cheese-maker: a farm that sells certified raw milk (where I am, the sale of raw milk is illegal).
During the weekend, my husband and I wandered a bit around Shelburne Falls. First of all, we visited the store of the cutlery manufacturer Lamson & Goodnow. Last year, I took a lot of photos of the building, but did not go inside.
Shelburne Falls is famous for its Bridge of Flowers (ponte dei fiori). The post from last year's visit has some photos of it. Here are two images that are a bit different. As I was walking on the bridge, I noticed the reflection of the building above on the Deerfield River.
And this is an image of the Bridge of Flowers taken from the parallel bridge, called the Iron Bridge, which is used by cars and has also a pedestrian lane.
A view of the Iron Bridge from the Riverwalk (on the Buckland side). In the foreground, you can see some of the damage caused last year by Hurricane Irene. A year later, I still like the red paint on the building in the middle a lot.
Update (August 15, 2012): my report on the weekend workshop is featured in today's post on the on the New England Cheesemaking Supply Company blog. Thanks!
Click on the button to hear me pronounce the Italian words mentioned in the post:
or launch the un weekend di formaggio audio file [mp3].
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